Benutzer:Lphrfs

"A {ring|arena|field|pitch|dome} is not conceived when questions arise how to {erect|assemble|develop|build} it." (Louis Kahn)

Knowing is a {projektowanie wnetrz warszawa|architekt wnetrz warszawa|aranzacja wnetrz warszawa|architekt warszawa|projektant wnetrz warszawa|projektowanie wnetrz warszawa} {implore|desire} towards its {identifiable|peculiar|own} {early period|initial stages|early stages|first phase|beginnings}. {Awareness|Expertise|Information|Data|Knowledge} is a {implore|desire} and {visualize|dream} of paradise, a {visualize|dream} towards that which is not {nonetheless|in spite of that|still|up till now|yet} {recognized|acknowledged|established|known}. {Awareness|Expertise|Information|Data|Knowledge} is {additional|added|further|more} than ideas because it {needs|desires} towards the {strange|unspecified|unfamiliar|unidentified|unknown}. {Comparable|Similar to|Approximating|In the vein of|Like} the body, {awareness|expertise|information|data|knowledge} has a front and a back, a side which sees and a side which does not. {Next to|By the side of|On|By|At} the heart of knowledge lies a "rupture epistemologique" {creation|assembly|production|manufacture|making} it {extremely|severely|acutely|profoundly|deeply} {own|individual|delicate|private|personal}; a way of looking {profound|deep-rooted|serious|terrible|deep} {hooked on|keen on|addicted to|interested in|into} the eyes of the world. {Awareness|Expertise|Information|Data|Knowledge} is in {unremitting|continuous|regular|recurrent|constant} {advance|lobby group|progress|passage|movement} in and {outdated|absent|out} of the {recognized|acknowledged|established|known} and the {strange|unspecified|unfamiliar|unidentified|unknown}. This is why {conscious|intentional|significant|calculating|knowing} is about {consequence|venture|gamble|danger|risk} {captivating|delightful|attractive|intriguing|taking}. A dynamic {conscious|intentional|significant|calculating|knowing} {requirements|wishes|requests|needs|desires} to {relocate|move} towards the {strange|unspecified|unfamiliar|unidentified|unknown}, towards the Zero {Height|Rank|Glassy|Parallel with the ground|Level}, which is {too|also} {forever|for all time|for eternity|until the end of time|always} {frankness|abandon|openness|autonomy|freedom}. It is a {implore|desire} towards the pre-objective body, towards {impressive|something} in me that is {near|there} {in the past|formerly|more willingly than|facing|before} I am. Louis Kahn says that knowledge is {same|vastly|fantastically|very} {specially|purposely|exclusively|particularly|specifically} {a bit|a little|a touch|impressive|something} that belongs to {all|apiece|each} {personality|distinctive|being|personage|individual} in his {before|otherwise|or} her {identifiable|peculiar|own} {mode|sense|feature|route|way}. "Freedom is not {awareness|expertise|information|data|knowledge} {except|nevertheless|but} what one has become {following|subsequent to|behind|later than|after} knowledge." (Octavio Paz) {Conscious|Intentional|Significant|Calculating|Knowing} is not {casual|indiscriminate|unsystematic|hit and miss|random} {before|otherwise|or else|or} systematic, {quite|preferably|to a certain extent|slightly|rather}, it is relational, a {interweave|fabricate|concoct|weave} of {abstruse|indirect|elliptical} associations and superimpositions. It is a {accordingly|hence|so} {before|otherwise|or else|or} {accordingly|hence|so} {living being|human being|heart|consciousness|being} in the world and {comparable|like} {speech|prose|style|verbal communication|language}; {awareness|expertise|information|data|knowledge} {excessively|extremely|very|exceedingly|too}, has a grammar and syntax. {Awareness|Expertise|Information|Data|Knowledge} is {additional|added|further|more} than the sum of its parts, it is {additional|added|further|more} than a {sheer|measly|mere} addition of information, it is {too|also} {extra|additional|added|further|more} than {sheer|measly|mere} perception. {Conscious|Intentional|Significant|Calculating|Knowing} moves in the {clandestine|secret} realm of the {discernible|evident|visible} and the {hidden|imperceptible|imaginary|intangible|invisible}. {Conscious|Intentional|Significant|Calculating|Knowing} is another dimension of action. It is being in the world. Architecture is a cognitive {do something|take action|take steps|proceed|act}. {Awareness|Expertise|Information|Data|Knowledge}, {comparable|similar to|approximating|in the vein of|like} the body, doesn't {accordingly|hence|so} {a great deal|a good deal|a lot|a large amount|much} {feel right|fit in|go|be in the right place|belong} to the realm of {direct|rule}, {except|excluding|on the contrary|nevertheless|but} {quite|preferably|to a certain extent|slightly|rather} to the realm of {undergo|experience}. This is one of the reasons why cities {adore|love} libraries and books. {Conscious|Intentional|Significant|Calculating|Knowing} is {determinedly|resolutely|steadily|definitely|firmly} embedded in our {thoughtful|understanding} and {adore|love} {representing|used for|on behalf of|in support of|for} life. {Conscious|Intentional|Significant|Calculating|Knowing} requires memory, books and libraries are ways of remembering what we {previously|already} {make out|get|identify|be aware of|know}. {By means of|From end to end|Owing to|From beginning to end|Through} {reminiscence|recollection|recall|remembrance|memory} and repetition we can {too|as well|in addition|and|also} {relocate|start|go|step|move} {commencing|starting|as of|beginning|from} the {recognized|acknowledged|established|known} to the {strange|unspecified|unfamiliar|unidentified|unknown}. "Memory is redundant: it repeats signs {accordingly|hence|so} that the {urban|city} can {activate|start|arise|embark on|begin} to exist."(Italo Calvino)

The myth of Prometheus is {projektowanie wnetrz warszawa|architekt wnetrz warszawa|aranzacja wnetrz warszawa|architekt warszawa|projektant wnetrz warszawa|projektowanie wnetrz warszawa} {closely|familiarly|confidentially|intimately} {linked|tied|coupled|joined|connected} to our {adore|love} {representing|used for|on behalf of|in support of|for} knowledge and the risks {concerned|complicated|involved} in "wanting to {get|identify|know} {extra|additional|added|further|more} than our parents." The symbol of fire in the myth of Prometheus speaks {too|also} of the interwovenness of knowledge and {pertinent|material} {veracity|actuality|truth|certainty|reality}. {Equally|Together|In cooperation|Mutually|Both} {sit|lie} in the realm of expression. Louis Kahn's architecture is embodied {set on fire|ignite|happy|effortless|light} {although|little|period|at the same time as|while} Corbusier's Unite d'Habitation is a {send|ship} {outdated|not on|absent|made known|out} {taking place|proceeding|by|resting on|on} the ocean. It is a giant {indication|logo|character|sign|symbol}, {comparable|similar to|approximating|in the vein of|like} the oversized {give|hired hand|hand over|worker|hand}, of {fresh|advanced|new|modern} dimensions. The {implore|desire} {representing|used for|on behalf of|in support of|for} expression comes {formerly|before} the reality of the {visualize|dream} and expression is the {considerable|vast|infinite|great|immeasurable} {portion|part|side|aspect} of architecture and art. {Fresh|Advanced|Avant-garde|New|Modern} immeasurability becomes a stream of consciousness, {comparable|similar to|approximating|in the vein of|like} an arabesque {before|otherwise|or} surrealist writing. {Conscious|Intentional|Significant|Calculating|Knowing} transforms itself as a journey {backside|move backward|in exchange|rearward|back} in {epoch|schedule|calculate|period|time} to {revive|remember|rediscover} an archetype. Myth and modernity are {meticulously|strictly|narrowly|faithfully|closely} interlinked. Architecture is {too|also} a non-verbal rhetorical {painting|sculpture|skill|talent|art} with {self-governing|self-directed|autonomous} {similes|descriptions|images|metaphors}. {Fresh|Advanced|Avant-garde|New|Modern} architectural {awareness|expertise|information|data|knowledge} is {sufficient|enough} unto itself. The {fresh|advanced|new|modern} {indication|logo|character|sign|symbol} is not translatable {taking place|proceeding|by|resting on|on} the basis of logic {before|otherwise|or} reason, {quite|preferably|to a certain extent|slightly|rather} it is in the ambivalence of the symbolic where a {intricate|complicated|knotty|complex} {interweave|fabricate|concoct|wind|weave} enables {fresh|advanced|new|modern} figuration; such as OMA and {fresh|advanced|new|modern} {cipher|secret code|signs|cryptogram|symbols} of the street in the sky, {appearance|shape|ranks|outline|lines}, projections, {advance|lobby group|progress|passage|movement}, rotations, {coat|record|silver screen|haze|film} and {accordingly|hence|so} {taking place|proceeding|by|resting on|on}. This has to {perform|achieve|accomplish|solve|do} with the popularity of architecture as {divergent|contrasting|opposite|disparate|opposed} to populist tendencies.

The {most important|initial|crucial|major|primary} {do something|take action|take steps|proceed|act} of making lies {inside|within} myth, it is in myth where synthesis {connecting|between} {clue|sketch|indication|purpose|idea} and matter is realized. "The {assessable|discernible|appreciable|detectable|measurable} is only the servant of the {assessable|discernible|appreciable|detectable|measurable}. Architecture is about the immeasurable." (Louis Kahn) The {considerable|vast|infinite|great|immeasurable} dimensions of knowledge are {subsequently|next} to expression, {aspiration|implore|long for|longing|desire}, anticipation, {hope|visualize|marvel|trance|dream}, poetic {basic|must|prerequisite|requirement|necessity}, {fondness|darling|adore|care for|love} and the imagination. The poetry of architecture; the {propose|plan}, sections, volumes, voids, {resources|equipment|supplies|materials} and {ignite|happy|effortless|light}, {talk|verbalize|be fluent in|chat|speak} a language of the {considerable|vast|infinite|great|immeasurable}, {still|then again|yet|nonetheless|however}, {time and again|repeatedly|a lot|frequently|often} {accurately|specifically|quite|correctly|precisely}. The pyramids were {too|also} built {representing|used for|on behalf of|in support of|for} their shadow. The horizontality of the space surrounding the Kabba speaks of the joy of space and the absence of presence of democracy and of {countless|many} {extra|additional|added|further|more} dimensions. The Salk Institute has a voided center and {nonetheless|yet} the center holds the {swear|promise} of a garden in suspension. "Each {urban|city} receives its {grow|create|form} {commencing|starting|as of|beginning|from} the desert it opposes." (Italo Calvino)

Stravinsky, in his poetics of Music, says that {adore|love} presupposes {conscious|intentional|significant|calculating|knowing}. Architecture is a way of {conscious|intentional|significant|calculating|knowing}. It is a cognitive {do something|take action|take steps|proceed|act}. {Comparable|Similar to|Approximating|In the vein of|Like} with the Chinese ideogramme, {in attendance|here|at hand|near|there} can {be present|be real|ensue|live|be} a {hasty|impulsive|unexpected|sudden} {conscious|intentional|significant|calculating|knowing} with the heart. {Conscious|Intentional|Significant|Calculating|Knowing} is {domestic|inside|inner|internal}, relational and it is never {thorough|all-embracing|entire|finish|complete}. {Awareness|Expertise|Information|Data|Knowledge} is a {essential|disparaging|significant|critical} tool, only {attracted|engrossed|involved|fascinated|interested} {awareness|expertise|information|data|knowledge} has this {clandestine|secret} {sparkle|glare|happiness|glow|radiance} which is the mark of beauty. Creative {hesitation|qualm|disbelieve|have reservations|doubt}, {attracted|engrossed|involved|fascinated|interested} {awareness|expertise|information|data|knowledge}, {factory|plant|moving parts|installation|works} {alongside|against} a totalizing philosophy and thus retains the {clandestine|secret} of beginnings. Tadeo Ando's houses, {representing|used for|on behalf of|in support of|for} example, are a refusal of and a withdrawal from {saleable|commercial} {break|seat|hole|breathing space|space}. Ando, {likewise|in the same way|also|similarly} to Louis Kahn, reduces a {impel|project} and language to its essentiality in {enjoin|organize|categorize|array|order} to arrive {next to|by the side of|on|by|at} a universality of language; {hole|opportunity|chance|gap|opening} {positive|cheery|awake|in the lead|up} the space and the void as a cognitive {quantify|quantity|assess|gauge|measure} {next to|alongside|beside|touching|against} the undifferentiated {unpredictability|arbitrariness|chance|uncertainty|randomness} of {saleable|commercial} {break|seat|hole|breathing space|space}. {Clothed in|Popular|All the rage|Into|In} Ando and Kahn's buildings contradiction is not one of irrationality {before|otherwise|or} contamination, {except|excluding|on the contrary|nevertheless|but} {quite|preferably|to a certain extent|slightly|rather} an irreducible alterity which opens {projektowanie wnetrz warszawa|architekt wnetrz warszawa|aranzacja wnetrz warszawa|architekt warszawa|projektant wnetrz warszawa|projektowanie wnetrz warszawa} {positive|cheery|awake|up} architectural experiences to essentials. Through the absence of {positive|undeniable|selected|confident|certain} {fundamentals|basics|rudiments|essentials|elements} of {saleable|commercial} {break|seat|hole|breathing space|space} {one more|an additional|a new|a different|another} {kindly|kind} of presencing unfolds which is {faster|nearer|quicker|closer} to architecture. {In attendance|Here|At hand|Near|There} is a clarity of contradiction differentiating elements not as ambivalences {except|nevertheless|but} as {total|complete|utter|unqualified|absolute} references to figures {accurately|specifically|quite|correctly|precisely} {unwavering|strong-minded|indomitable|firm|determined}. {Hesitation|Qualm|Disbelieve|Have reservations|Doubt} is a way of {conscious|intentional|significant|calculating|knowing} with an {candid|untie|amicable|unbolt|open} {care|object|take care|intellect|mind}. {Hesitation|Qualm|Disbelieve|Have reservations|Doubt} is relational and constructive; it constantly questions its {identifiable|peculiar|own} junctions and superimpositions. This is a {kindly|kind} of {abstruse|indirect|elliptical} {conscious|intentional|significant|calculating|knowing}, it moves from the not {conscious|intentional|significant|calculating|knowing} to {conscious|intentional|significant|calculating|knowing} and back to {disbelieve|doubt}. This is poesies as a {grow|create|form} of {conscious|intentional|significant|calculating|knowing}. It is {equally|together|mutually|both} in the making and in the unmaking all {next to|by the side of|on|by|at} the {similar|matching|unchanged|consistent|same} {epoch|schedule|calculate|period|time}. It is dreaming, {nonetheless|in spite of that|still|up till now|yet} not with a loss of contact with reality {before|otherwise|or} acculturaization. It is the {visualize|dream} which absorbs the {moral|lesson} of the {urban|city}, of the sky, of the earth, of the stream and {accordingly|hence|so} {taking place|proceeding|by|resting on|on}. {Comparable|Similar to|Approximating|In the vein of|Like} in Matisse's {Sad|Dejected|Blue} {Information|Statistics|Numbers|Records|Figures}, {in attendance|here|at hand|near|there} is an arabesque of the mind which remembers {elemental|vital|crucial|essential} qualities, quantities and complexities. It is a {pertinent|material} {mind|mind's eye|head|thoughts|imagination} with {reasonable|judicious|mindful|conscious|sensible} qualities. {Mind|Mind's eye|Head|Thoughts|Imagination} is to {complete|utter|unqualified|absolute} oneself, to leap {ahead|advance|to the fore|mail|forward} towards a {pristine|new} {living|years|vivacity|get-up-and-go|life}. {Mind|Mind's eye|Head|Thoughts|Imagination} is a voyage towards the {unlimited|large|endless|infinite}. It projects the {complete|full|entire} {living being|human being|heart|consciousness|being}, {equally|together|in cooperation|mutually|both} {own|delicate|personal} and collective. {Mind|Mind's eye|Head|Thoughts|Imagination} is dynamic, it is not a {testify|state} {except|excluding|on the contrary|nevertheless|but} it is human {subsistence|way of life|being|survival|existence} itself. {In attendance|Here|At hand|Near|There} is an immanence of imagination {inside|within} the {valid|unfeigned|truly|real}. It nullifies the distinction {connecting|between} architecture and art. {Comparable|Similar to|Approximating|In the vein of|Like} a revelation is doesn't belong to the realm of {direct|rule}, norm {before|otherwise|or} {chastise|discipline}, {except|excluding|on the contrary|nevertheless|but} {quite|preferably|to a certain extent|slightly|rather} to the realm of {undergo|experience}. This is one of the promises of a "rupture epistemologique."

Constantin Brancusi and Richard Serra {equally|together|mutually|both} work with a phenomenological fissure as a "rupture epistemologique" {creation|assembly|production|manufacture|making} the body the {crushed|pulverized|ground} {representing|used for|on behalf of|in support of|for} sculptural experiences. " The Kiss" and {additional|new|further|supplementary|other} {factory|plant|moving parts|installation|works} work with the simultaneity of symmetry and a radical dissymmetry of the lived body. The line of connection becomes {on|by|at} the {similar|matching|unchanged|consistent|same} {epoch|schedule|calculate|period|time} an {disconcerting|troubling|disturbing|unsettling} {shatter|rupture}. The {reduce|restrict|cut} becomes {on|by|at} the {similar|matching|unchanged|consistent|same} {epoch|schedule|calculate|period|time} a joining device. Richard Serra's work {too|as well|in addition|and|also} makes art and industry {assemble|meet}, a hitherto {strange|unspecified|unfamiliar|unidentified|unknown} {substance|background|pertinent|stuff|material} dimension is introduced into art, communicating a vital countermovement to the surrogate {burning up|expenditure|using up|utilization|consumption} of art endangering the {undergo|experience} of art and architecture in the streets, galleries museums and homes. {Next to|By the side of|On|By|At} the {similar|matching|unchanged|consistent|same} {epoch|schedule|calculate|period|time} this {shatter|rupture} opens {positive|cheery|awake|up} a door for a {essential|disparaging|significant|critical} pluralism. The displacement of the work has a {kindly|kind} of "sponge" {prompt|realize|effect} not only {taking place|proceeding|by|resting on|on} the perception of sculpture {except|excluding|on the contrary|nevertheless|but} as a constitutive part of the work. The {pertinent|material} {at this point|at this time|at this juncture|now|here} is a {shatter|rupture} to construction. The {pertinent|material} sets the {impel|project} in crisis.

Isozaki says, "... that the body is {additional|added|further|more} {weighty|focal|of the essence|significant|important} in architectural {familiarity|know-how|come across|undergo|experience} than the brain." It is the corporeality of architecture {projektowanie wnetrz warszawa|architekt wnetrz warszawa|aranzacja wnetrz warszawa|architekt warszawa|projektant wnetrz warszawa|projektowanie wnetrz warszawa} which is of the essence; the {undergo|experience} of the earth, the sky, the horizon, the {urban|city} and {accordingly|hence|so} {taking place|proceeding|by|resting on|on}. {In attendance|Here|At hand|Near|There} is a {pure|substantial|physical} {conscious|intentional|significant|calculating|knowing} and remembrance. {In attendance|Here|At hand|Near|There} is {physical|forcibly|physically|bodily} {awareness|expertise|information|data|knowledge} in dance {representing|used for|on behalf of|in support of|for} example. {In attendance|Here|At hand|Near|There} is {too|also} Nietzsche's suggestion, "...of not {credulous|gullible|naive|unquestioning|trusting} a thought that is not {natural|intuitive|untaught|instinctive|born} in {advance|lobby group|progress|passage|movement}, that we {essential|must} {ponder|imagine|reflect|think} with the {full|complete|whole} {group|corpus|corpse|stiff|body}, {tenderness|central point|kindness|core|heart}, soul and mind; with hands and feet.

This {transcript|copy|book|wording|text} has been inspired by Paola Iacucci's Three Houses and {additional|new|further|supplementary|other} Buildings by Gangemi Publishers