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Belgian painter and printmaker James Sidney Edouard Baron Ensor or James Ensor (April 13, 1860 - November 19, 1949) was a frontrunner of &apos;Expressionism&apos; and &apos;Surrealism.&apos; He was born in the Belgian coastal town of Ostend, inside a nicely to do small business family of English father plus a Flemish mother. Ensor grew up as a uniquely creative child. He was attracted for the nearby artists and learnt a great deal from them. By the age of twenty, he groomed into an outstanding artist, and began generating paintings of varied tastes and &apos;Contemporary&apos; in style. He has accomplished really a couple of paintings, but rose to fame by means of &quot;The Entry of Christ into Brussels.&quot;This revolutionary painting &quot;The Entry of Christ into Brussels,&quot; amply brings out James&apos; vital thinking regarding the then society. He detested the faking with the well-placed many people in society, ill-treating the negative, though preaching humanity. Ensor felt for the dejected members with the society. He has deliberately tried to portray Jesus&apos; face like a saint, to reflect his being a pious religionist and an advocate in the poor and oppressed. Atheist social reformer of excellent influence, Emile Littre, has been drawn with all the Mayor. They each are shown standing in a balcony, seeking mindless of Jesus led &apos;Mardi Gras&apos; procession, thereby intending to impose themselves on the society. Jesus had entered Jerusalem City on a donkey, which Ensor has portrayed in &quot;The Entry of Christ into Brussels.&quot; The depicted audience and spectators look materialistic. Despite the fact that Jesus&apos; entry is shown celebrated in its own proper, the well-known appear to exploit it to their advantage. The consumers are masked as clowns, frauds, skull, and caricatures, having a festive mind.Created in 1888 at Ostend, &quot;The Entry of Christ into Brussels,&quot; an oil on canvass measuring 99 &amp;frac12;&quot; x 169 &amp;frac12;&quot;, per se was least artistic and creatively attractive. It was very intense however, in its controversial message, disfavoring the ambitious and hypocrite cr&amp;egrave;me-de-la-cr&amp;egrave;me with the then society. Les XX, the artists&apos; association that Ensor co-founded, rejected this masterpiece, which could not be exhibited publicly, until 1929. Mindless with the treatment meted out to him, Ensor always proudly displayed &quot;Christ&apos;s Entry into Brussels&quot; in his home and studio. Meanwhile, the painting gathered crucial appreciation over time.The artist had tried painting the theme many times earlier, but not to his satisfaction. The trial versions of &quot;The Entry of Christ into Brussels&quot; are still kept in museums. James&apos; paintings were aggressive, painterly in style, and deep emotional, carrying mass appeal. &quot;The Entry of Christ into Brussels&quot; was a forerunner with the twentieth-century &apos;Expressionism.&apos;The French &apos;Pointillism&apos; was prevalent then. However, James Ensor used palette knives, spatulas, and each ends of his brush to color creatively. This gave unique identity to his paintings, which even though did not get recognition instantly, got their dues in early 1900s just like &quot;The Entry of Christ into Brussels.&quot; The painting is currently displayed at the Getty Museum, Los Angeles, United States.

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